Figures in the Fold is an exploration of human form withdrawn from recognition. Solitary figures emerge from blank space; their edges blur and dissolve—not as flaws, but as intentional visual strategies. Each image remains intentionally fragmentary, offering only outlines, volumes, traces and abstraction. Digitally isolated with muted tones, these images  reflect on anonymity in an age of hyper-visibility. Identity is withheld; what remains is simply form: quiet, suspended, almost disappearing.

This visual restraint generates a quiet tension: by withholding identity, the images evoke a desire to complete what remains unfinished — a narrative left unsaid, a presence barely held. The atmosphere is one of suspension and hush: a liminal space where form exists without context, and recognition is replaced by contemplation. In a culture saturated with visibility, the work proposes a counter-movement: to vanish, to fold back into surface, to assert presence through absence.

The images are digitally processed into high-resolution pigment prints, intended to be exhibited at human scale (180 × 140 cm), immersing the viewer in the fragility of form.